Read the following valetudinarianism by a fat ACG fan:

沒有P2P的日子如何渡過？

近來某大國未成功反貪腐，先一步解決各大小字幕組及發佈網站，一時間風雲變色，哀慟遍野，沙塵滾滾殺錯良民。看動漫及日劇的一眾網友罕有地同心協力，齊齊渡過冰河時期。雖然這次雷聲大，但個人估計依然雨點少，屬局部暫時性現象。究其原因，別小看字幕組，背後的商業利益太多。這麼一打又會扯上某某官員，最後肯定又會叫停。大家在國內買的盜版影碟，還不是「有人」「偷」字幕組出品再轉售圖利？所以一天未成功反貪腐，凡事無一可成。雖然有人說有愛就吃生肉看RAW，但問題是日本亦不手軟，Share職人抓了一個又一個。縱然日語一級，可是抓不到影片還是無可奈何。

Question

It is known that the ACG fan is of arts stream. By this, show that ACG fans are to be phased out on state emphasis of  intellectual property rights.
(5 marks)

Marking Scheme

4 marks for textual analysis
1 bonus mark for protrait of  the ACG fans as social black sheep.

Answer

First and foremost, smashing ACG piracy as a return to th glutton of counter-productive, parasitic consumerism  is irrelevant to PRC’s political issues. Then, those abuse BT (i.e. watching ACG without feedback to the anime production [NOT subtitling team] cast) are guilty, not so-called “良民”. Why? It is because they give up their free time (to serve others) while indulging in anaesthetization of simplex visual stimuli, which is not only selfish but also wasting resources provided by the stakeholders of educational sector, including their parents who pay the school fee and their teachers who give grave expectation of practicing mutual humanities. Next, the arts stream playboy is psychotic enough to have illusion that the sensational flock of ACG fans would have been united to counteract the copyrights sweep. To be frank. ACG fans are not police or mentally healthy members of any ecophilic political parties so they are impossible to stand for their full-take-no-give attitude of endless anime demands. Last but not least, the cleaning-up of cyber-sharing is globally practised as governments of Japan and China holds the same attitude of maintaining more egalitarian environment of creative industry. Since, most importantly, ACG are never exclusively for that reclusive ACG fans, exterminating ACG fans will not harm the ACG industry; instead, otakus that are long friendly with mainstream ACG production casts and mass media will take edge to replace that egocentric ACG fans.

Read the following article carefully and answer the question that follows:

網絡短片 動漫元素滿載
作者: 狗公阿唯   分類：2.5次元 » 虛擬與現實

最近阿唯留意到，一些網友自製的短片，在YOUTUBE和FACEBOOK等網站上火速傳播開來。當中的共通點，是兩者都帶有強烈的動漫元素，而作者也是華人。

先說於美國最高機密中，與核武同列第一的「金坷垃」。阿唯在看過多段洗腦式廣告後，依然搞不清楚賣的是甚麼來著，不過這種認真得近乎周星酏式無厘頭的「雷人」廣告，卻一瞬間抓緊了全國網民們的心，紛紛轉載和製作惡搞版，不足一個月，網友已經為《小魔女DOREMI》、《K-ON》、《某科學的超電磁炮》、《男兒當入樽》、《化物語》等動畫的主題曲，譜上跟金坷垃有關的新詞，更嘗試自製MV。

曾於半年前創作出《綠霸綠霸★河蟹你全家》的內地網絡名人荼荼丸(又稱221大人，據說是正妹？)，今次也有參一腳，推出《金坷垃 美日非K歌金曲CD》等電波歌新作。這次主唱的不再是語音軟件，而是把廣告中的人聲因應音樂而變調，配合3D動畫背景製作而成，難度比前作大大提高。此作不足一個月，已在ACFun上獲得過20萬的點擊率。

另一邊廂，台灣網友counter656自製高達動畫，更大玩《龍珠》、《笑傲江湖》橋段，讓高達化身成裡面的角色進行激鬥，結果一鳴驚人，震撼華人網絡，就連主流報章也刊載了相關新聞。這裡指的動畫，不是我們在電視上見到的動畫片，而是採用名為停格動畫(STOP MOTION)技術，把廿多張不同姿勢的高模型照片，合拼成1秒動畫，情況就像拍攝泥膠動畫。

counter656的拍攝風格像極了日本人PLAMOO數年前所製作的短片，二人也是運用高達模型關節豐富的特點，做出與高達完全無關的短劇，連背景物品也同樣是就地取材。PLAMOO憑模仿《涼宮》、《幸運星》OP和一系列幽默短片而廣為人知；counter656的武打元素濃厚，光影特技效果出眾，可是故事表達手法卻未夠完美，經常打到一半就強行完結。但台灣網民都不介意這些小瘕疵，紛紛催促counter656繼續製造新作。現在《龍珠》《笑傲》兩片合共已超過15萬點擊率。

以上兩個例子，都是把一些主流文化中的現象(廣告)或真實存在的東西(模型)，再摻雜各式動漫元素做成短片，結果引發風潮。其實日本早已有大量Nico職人，每天都前仆後繼的製造這類MAD片和電波歌(如M記的「藍藍路」 )，不過近來愈來愈多華人創作者開始嶄露頭角，得到網民認同。這是無疑是好現象，全靠他們，WEB 2.0的網絡世界才會給予我們無限驚喜。

http://www.cuhkacs.org/~yui/blog/read.php?157

Question

Some Chinamen says that “惡搞是創意的表現”. (Kuso act is creative)
Criticize(抨擊) this view. (5 marks)

Marking Scheme

4 content marks for critical elaboration
1 bonus attitude marks for expressing  hatred to infotainment

Answer

Judging from the article, it is found that the narration is filled with self-importance (自負) among ACG fans who are engaged in kuso, adapted, made-up and synthetic production that are not conducive to shape of positive values in Web 2.0 communication.

First of all, the chronicles of kuso production is a kind of grand narrative since those insults the original commercial ADs (i.e. 金坷垃) are glorified as legendary leaders without realization of copyright infringement.  This is quite misleading, as the audience of the narration will be wrongfully believe that creativity is segregated from the respect of the source. That is, the kuso product distorts the primary message to be conveyed by means of improper parody that comparative to plagiarism of other ideas plus contextually incoherent abuse of anime musics. Simply put, the kuso author feel the act funny, which is inconsiderate and hypocritical.

The point in inconsiderate nature of kuso production according to the quoted article is that quest for peer identity is flooding. With, as if it were, kuso production leading the adolescent ideology, one can play upon other’s presentations with derogative intentions, say showing-off and standing out oneself by stepping down other’s dignity. Between, the kuso production leads to cartel-like small-circles that promotes human relationship hegemony that dominates and monopolize the image of ACG audiences. As a result, the general public not only feel ACG fans ennui but they also get galvanized by their abandoned time for work and study. Sad but true, the leitmotif of kuso production is – all in all – busybody that incurs even more misunderstandings and avoidance against down-to-earth innocence.

The point in hypocrisy is that more and more pan-philosophical scum brags that flatter arts stream authorities are interfering with the discourse of kuso production. Those intercept the process using gimmicks of blog journals and critiques are taken for granted to show off their know-what factual details and jargons (e.g. No elaboration on uttered phrase “STOP MOTION”) while deliberately hide the know-how of the technologies used in kuso production (e.g. The step involved in creating stop motion using Adobe Flash CS4 and the way out how the production is exported to common presentation file formats) By virtue of this, that hypocrites are accredited for pretending to be omnipresent by hiding the insider information with superfluous advocacy of subjective-agented, inciting yet misleading and fabricated outlook of kuso second-hand creations. Take a aforementioned article except, so-called “無疑是好現象” is but the wishful vision of arrogant ACG fan’s entertainment-oriented manipulating the cyber-agenda. Sure, the general public find the true picture of the kuso “guru” as not only educating nothing but killing times for meaningless sense of vanity.

All in all, it is only the introverted sensate (SJs) fucking up themselves with trivial look and feel that are private, static and void. Otakus will surely not be affirmative to any sort of exposition that favors kuso behaviors.